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No Country for Old Men: From Novel to Film
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In 2005, Cormac McCarthy's novel, No Country for Old Men, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy Awards®, including Best Picture, Best Director, and Best Adapted Screenplay.In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.
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Product details
Paperback: 262 pages
Publisher: The Scarecrow Press, Inc. (August 3, 2009)
Language: English
ISBN-10: 081086729X
ISBN-13: 978-0810867291
Product Dimensions:
6 x 0.6 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
2.7 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#1,787,033 in Books (See Top 100 in Books)
I thought this book would be about how to take a novel, adapt it into a screenplay, and all of the research processes involved.Yet, it is not that at all.I didn't get past the first chapter, when I couldn't help but sigh loudly and close the book.This book is actually about masculinity in the film and how the author as a viewer wants all her students to think about it.Once a Sociology student, I can appreciate the topic. But what a horrible movie to choose. It would seem that the only reasons the author did, was because of the title of the movie and being jealous that it had won best picture that year.Why not Tootsie? Would have been a way better movie to discuss masculinity in film.Such a stupid and misleading book title.
Excellent collection of essays on one of the more intriguing novels and films in recent years. Definitely a boon for scholars, fans, and all interested readers. The range of styles and approaches is fascinating, and I love the different interpretations of so many aspects of the novel and film, but particularly those examining one of the greatest cinematic killers of all time: Anton Chigurh. But what would Oprah think?
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